The daily grind gives artistic inspiration

After the Field Museum Women in Science and Art blog post, many of you wanted to find out more about what is new about my job at the museum.   As most of you have read in one of my past posts (Yes, I do have a job to pay the bills…) a couple years ago, I talked about what my job at the museum entails as a Research Assistant and the opportunities I get offered to do what I love, illustrating.  Now, as the Mammals Collections Assistant and Preparator, I am doing much more than what I use to do within the Mammals Collection.

Bobcat skull that has been prepped and ready for cataloging (or sketching, hmm?).

How much “art” is in my daily routine?  I do not get to create illustrations or photograph specimens as much as in the past but I take what I do at work daily and incorporate what I learn on the job into my artwork. I take advantage of the many specimens at my finger tips to study and learn how their forms and textures can influence and INSPIRE how an art piece will turn out.  This makes it easier to visualize what I will see on paper when illustrating  the mounts in the exhibit halls.  It’s the LOVE and ENJOYMENT of what I do and where I work that INSPIRES and fulfills “MY CREATIVE PASSION” in the studio. Even if that means sacrificing my time before work, at lunch or on a weekend to come into the my office or lab to illustrate a specimen or a mount in the exhibit halls.

I’ve been in the new position for more than two years now. I moved from doing primarily research based tasks for the Collections Manager to doing more collections prep and maintenance of the mammals collection.  That entails skinning, stuffing, cleaning the bones, cataloguing, numbering and installing specimens within the collection.  There is still some time to take photos of specimens and illustrate for my colleagues but now I am training my volunteers to help me with many of the regular tasks that I use to do as well as train them to use the camera systems and finally, illustrate specimens (YEAH!)

The lab, where all the magic, I mean science happens. This is where the mammal specimens are processed before being installed into the main collection.

What is the difference in what I am doing now verses two years ago? Well, for one, any mammal specimen that needs to be cleaned has to go through my lab first.  I also take care of the mammals beetle colony (Mary Hennen takes care of the Birds beetle colonies).  I inherited thousand of little babies who depend on me (but mostly Mary) for food… and a home.  Check out the beetles Facebook page, Bird’s Bug Room here.  Most people think this is a disgusting part of the job but my time in the beetle room is nice, peaceful, and most importantly, quiet.

Cleaning the torso and femurs of a rodent. This rodent was born with a femur deformity. You can see that the left femur is slightly shorter and extremely wider then the right femur.

My volunteer staff has grown from five to ten volunteers/interns.  I guess mammals has become a popular place over the past two years.  I depend on them everyday to help with cleaning bones after the beetles have finished, skinning specimens and stuffing the viable skins for research, as well as, helping with database entry, scanning, numbering bones and photography work from researchers.

After all this you would think I would need lots of sleep but no, I still give myself time during the week to work on my artwork and sketching.  I am non-stop, the energizer bunny, the flash, a sugared up toddler. I have so much energy I need to release it so I work in the studio (as well as working out a lot).  I consider myself one of the lucky ones in the scientific/natural illustration world to be employed as the collections assistant and preparator.  I still get to use my artistic talent in some form everyday, in either skinning, numbering, Photoshop work, or photographing or illustrating specimens.  Thanks for visiting.  😋

The numbering and boxing area in the lab.

Crocidura monax specimen under a camera lucida microscope with the illustration on the right.

Crocidura monax specimen under a camera lucida microscope with the illustration on the right.

Rhinolophus illustration on a light table. Stipling on vellum from a graphite drawing.

Rhinolophus sp. illustration on a light table. Stippling on vellum from a graphite drawing.

Next INKtober….enough said:  The attempt to do a sketch a day for INKtober and my “failings” at it, LOL!.  Stay tuned.

Women in Science and Art

Women in Science and Art: Rebecca Banasiak, Mammals Collections Assistant and Preparator

In March, many of my colleagues and I, were asked to answer some questions about what it is like to be either a women in science or a women in art.  I am lucky enough to be one of the few who was highlighted as both a women in science and art.  I highlighted some of my answers below and you can read the full blog post here on the Field Museum’s website.

How did you get to where you are?
I received a BA in chemistry and fine art … from Lewis University in Romeoville, IL, in 1997. ….It wasn’t until I went back to the School of the Art Institute of Chicago …. that I was introduced to the vast collection of material and specimens here. While at SAIC, I started at the Museum as an intern with Bill Stanley, … then in 2005, I became a full-time research assistant. In 2015, the collections assistant, mammals preparator position opened up … and that is how I got to where I am now.

A woman in a laboratory-like space, wearing gloves to handle a fox specimen as children observe

Teaching visitors about mammal preparation at Meet a Scientist in the Science Hub.  Photo copyright the Field Museum of Natural History.

What does your job entail? What’s the day-to-day like?

Part of my day-to-day includes working with the dermestid beetle colony that cleans specimens … I also supervise volunteers and interns. I train them on different tasks like skinning, stuffing skins, and cleaning and numbering bones … how to use the camera equipment and the camera lucida for illustration, and help them get involved with different research projects. One of the projects we’re working on now is photographing the skulls of Grammomys (a group of rodents found in Africa). … Other tasks for similar projects have been to photograph or illustrate a specimen or create maps and graphs that my colleagues or Field Museum researchers may need for publications. … Other projects might include processing specimens that a researcher brings back from an expedition. …..

What has been your favorite part of the job, or a memorable moment?

One of my proudest moments was the day that Bill Stanley came down to my office and was holding the new Fieldiana (a scientific journal published by The Field Museum) that had various articles about the small mammals in the East and West Usambara Mountains in Tanzania. ….

The other moment was when one of my colleagues and a researcher at the Smithsonian, Mike Carleton, asked if I wanted to be an author on a paper about a new species of rodent in the Hylomyscus genus. …..

A woman with dark hair and glasses sketching a cougar in a museum gallery, with a specimen of a large cat in the background


What advice do you have for future women scientists?

I’m not a proponent of STEM, I’m a proponent of STEAM (Science, Technology, Engineering, Art, and Math). … Like the sciences, the arts also do not have enough representation by women. … Art does help with science; they work together. … Science and art work together.

If I had to go back to myself at the age of nine or 10, I would say, “Stick with science, and stick with art, and don’t worry about anyone making fun of you.” When you look at our Museum, we have a lot of female presence. But we need more female leaders in science as a whole. As we educate a new generation, we want to give them confidence. My message to future female scientists and artists is to have faith in yourself; this is really what it is. If you think you can do it, you can do it. If you do something incorrectly, you’re only human, so get back up and do it again. Learn from your mistakes. All it takes is a little education and practice, and you can do it. Take the criticism, learn from it, and keep improving. You will see that it all pays off in the end.

Full text of the original blog post can be found here at Women in Science and Art: Rebecca Banasiak, Mammals Collections Assistant and Preparator, Original published date: Monday, March 27, 2017, by Rebecca Banasiak, Sciences, Animals, Mammals, Collections, Women in Science

Next the daily grind at work:  What do I do at work? Well, you can find out in the next post.  Stay tuned.

“Yes, I do have another job to pay the bills…”

…is the answer I am constantly telling people when they ask me if I “make lots of money selling my art”.

It has always been a pain in the $%# to describe how many and what types of jobs I have and why I have them.  I actually have two other jobs besides the “full time” job of being an artist.  For this post, however, I will focus on only one of my jobs, the one I spend the most time at outside of my studio.  I’ll tell you more about my other job in a later post.

So, back to the main job.  Well, most people think when they see me on Saturdays in the exhibit halls at the Field Museum or at an opening night event or selling my art in a fine arts fair, that I must get to draw and paint all day and everyday.  Well, hate to tell you all but “I do have another job to pay the bills”.

Drawing a great grey owl portrait in chunky charcoal at The Field Museum.

Drawing a great grey owl portrait in chunky charcoal.

Don’t get me wrong. I would never and do not ever complain about my job because, unlike others, I LOVE and ENJOY what I do and where I work.  I have this job to pay the bills so I can buy more art supplies in order to fulfill “MY CREATIVE PASSION” in the studio.  It amazes me when people tell me to just sell my artwork.  Yeah right. Sorry people, but it is not that easy.  First, you need the audience that likes your work.  Second, and I can’t stress this enough, I will not create something that I do not feel passionate about.  “PHEW”…there, I said it.  I do not think that it is an artists’ “job or responsibility” to create what the masses expect them to do (unless of course it is a contract job).   We artists become artists to express ourselves in what we like to create.

So, back to my main job outside my studio work.  For all those people who ask  “so, what do you do?”.  Well, I usually answer “a research assistant “.  Yeah, I know. Kind of boring, right? WRONG! I usually then get the question of “what kind of research do you do” or “do you get to use your talent as a researcher”. YES! This is the best part of describing what I do at my job to others. For me, this is were the descriptive fun begins.

Most of my day is using my artistic talent. Now, don’t get the wrong idea that this woman gets to draw all day.  Nope, I do not illustrate everyday, but I do get to use my vast knowledge of photography (YEAH!), Photoshop and photo manipulation with many of the images I take myself.  Yes, I do it all at my job (artistic wise).  I photograph specimens, manipulate and prepare those photos, create maps, graphs, and tables for publications and yes, I do illustrate specimens, too.

My Computer and desk where I do all my Photoshop work.  Photo manipulation of a Crocidura skull specimen.

My computer and desk where I do all my Photoshop work. Photo manipulation of a Crocidura skull specimen.

Crocidura monax specimen under a camera lucida microscope with the illustration on the right.

Crocidura monax specimen under a camera lucida microscope with the illustration on the right.

I’m one of the lucky ones in the scientific/natural illustration world to be employed as a research assistant where I work.  I do get to use my artistic talent in some form everyday. Most importantly, as an artist where I work, it is one of the best places to draw and paint because it is a “very artist friendly” environment.  And the best part is, they pay me to use my artistic talent EVERYDAY!  So, yes, it is just “A JOB”, but it is one of the best and most exciting jobs I have ever had were I get to use my artistic talent and knowledge in the creation of images, graphics, and illustrations for publications and websites.  And sometimes, I don’t mind bringing my work home with me.  🙂

Rhinolophus illustration on a light table.  Stipling on vellum from a graphite drawing.

Rhinolophus sp. illustration on a light table. Stippling on vellum from a graphite drawing.