This past December I decided to take my work and create pins and earrings. The question was how to do this. I found something from my childhood that I always loved to create with, Shrink-e-dinks. Yes, those plastic sheets you could paint, color or draw on, cut out and then pop in the oven to watch them shrink into a hard plastic.
I remember creating Disney Christmas ornaments from kits that my parents would get for my sister and I. Those snowy Saturday afternoons where mom and dad needed to keep Karen and I busy….Boy, those were the days.
Well, I found the Shrink-e-dink material and decided, WHY NOT!
First off, I started actually drawing out images and then coloring them in. This took a long time for each image but once shrunk down they looked really cool. I used a variety of media including colored pencils, alcohol markers, and inks.
I then did a little more exploring on the art supply websites and found Shrink-e-dink material that you can send through an ink jet printer. Hallelujah!!!! This was so much easier. So, I started to look through my sketchbook and computer and found lots of images that I created to print out. The results were great and the items were and are some of my most popular sellers.
Hand draw magnets
Computer printed magnets
Take a look for yourself here as I have some items still for sale. Just contact me via messenger in Facebook or you can email at email@example.com.
Next up, a review of the Epcot® International Festival of the Arts: Disney has art classes and workshops? Who new they were so artist friendly? Stay tuned.
Cougar, Mountain lion, Puma, Florida Panther….. Whatever you want to call the largest of the small cat species, Puma concolor is one of North America’s most elusive and enchanting felines to roam the wilderness.
This post will focus on the step-by-step process I did while drawing the cougar mount from the Field Museum’s exhibit hall.
Cougar, Puma concolor, mount from the Field Museum.
The cougar portrait started, like all of my other portraits, with a rough sketch. From there, I refined my sketch by measuring and scaling from the cougar mount and transferring my measurements to my paper. The ground I used for this portrait is a burgundy color from Canson’s Mi Teintes collection. This is a textured paper with a medium size tooth which perfectly holds the pastel for that textured feeling and finish. I used my trusty color-erase white pencil as it is one of the essentials I keep close when I work on dark colored ground.
My set-up in the Carnivore room while drawing the cougar portrait.
Drawing felids (cats and cat relatives) are a slight challenge as they have a flat skull compared with other animals. They also possess a foreshortened and wide muzzle orsnout which is unlike canids (dogs and dog relatives) as the muzzle length and width are a distinguishing factor between some of the species within both groups.
Refined sketch of the cougar after measurements and scaling.
First layer or underpainting with pastels.
Underpainting with highlights and shadows.
At this time in the process, I am sometimes still deciding what media to use (not surprised). This time I choose Prismacolor Nu-Pastels and Derwent pastel pencils. I started with an under-painting of Nu-Pastels as I could get a larger amount of the ground covered in a shorter amount of time. Once the basic colors for the under-painting were complete, I added the highlights and shadows in places so that I knew where I would be enhancing certain areas when I started the detail work. As you can see above in the finished under-painting, the cougar has a flat feeling to it as I have not rendered the form much in this photo. As I started to add the detail (more color layering, hair and texture) the cougar starts to take on a more “real” look or a more modeled look on the paper.
Closeup of detail being started.
Closeup of detail being started.
Start of detail.
I added dark patches of color to create the base of the skin and fur folds, the dark shadows within the ears, and the shadow that is created under the chin on the neck. Once that was done I started with more highlights around the cheeks, over the eyes, and on the tips of the ears. You can see that once the low- and high-lights are done, detail can be added. And I LOVE DETAIL!
Detail of the eyes.
Detail of nose and mouth.
Detail of the entire face.
The eyes are the entrance to the soul so this is my favorite feature to draw and paint. I do have a tendency to add more emotion into the eyes I create then what is presently on a mount or in a photo reference. The detail is were I get to use pastel pencils and my blade to sharpen the Nu-pastels. I can get a better point with the pencil or by cutting or chopping away at the pastel sticks or blocks to create a point verses just using the Nu-pastels or my Sennelier soft pastels.
Applying detail to the face.
Adding fur highlights to the muzzle.
Applying some dark detail to the mouth.
A view of how I see the mount and my drawing together.
Folds on the skin are the first part of the fur that I started on. I layered the dark colors with medium tons and then after a quick spray of fixative, I added the light colors and white highlights. The textured paper takes away a little bit of dimension since you do see a little of the ground color through the layers of color but with each mammal portrait I do, I try to balance the color of the ground with the base colors in the specimens fur color. With the cougar, you can see the the burgundy color of the paper balances out with the orange and golden yellow colors of the fur.
Once finished, I always sign and fix with spray so that the pastel does not rub off easily.
Cougar, 2016, Pastel on paper, 19″x25″. Copyright Rebe Banasiak, The Brush Hilt, Rebe Banasiak Art.
I will be doing more carnivore portraits in the future so keep your eyes on my blog pages here, Facebook and Instagram to watch the progress unfold.
Next step-by-step, Shrink-e-dink sketch magnets: How I create shrink-e-dink magnets from my sketches. Stay tuned.
It’s 2017 and I decided to do INKtober. Well, as the month started, I started at a very eager pace. The prompt list from Jake Parker’s website was a good list that I had decided to theme out. My purpose was to keep it within the fantasy/sci-fi/adventure movies and TV shows that everyone was familiar with. The movie series I had picked to sketch from were from Harry Potter, Star Wars, Lord of the Rings/Hobbit and Game of Thrones series. I matched characters or scenes with the definition of the word either as a true representation of the meaning or an underlying meaning of the word.
Week one went very well but slow. It was actually pretty easy to sit down and sketch and ink out one drawing the first couple days. I planned to not go over 2 hours per sketch and inking. This went well for the first five days.
BB-8 for the “SWIFTest” little astro mech in the galaxy.
Anakin “DIVIDED” between his light and dark sides.
Draught of Living Death as the perfect “POISON“.
The Grindylow that lives “UNDERWATER“.
Frodo and Sam’s “LONG” road to Modor.
Longclaw, the “SWORD” of Jon Snow.
“SHY” Ginny Weasley glancing from behind Molly’s sweater
On the sixth day I hit a bit of a bump in the road. When “SWORD” as the sixth word came up, my first thought was “Longclaw” from Game of Thrones. Pretty easy, you might think, but as you can see in the photo, I used up almost all of my micron on the cross-hatching. So, this one sketch, keep me going for about two evenings. I did catch up two days later by finishing week one’s words and starting on week 2.
This is when my world turned upside down. Between artwork and regular work, I was propelled into a whirlwind of evenings not being able to sketch a full 2 hours. Some of my sketching and inking was fast or mediocre from what I can really do and it shows. I started to fall behind on daily sketching as well. I did tell myself to just keep going and if I was behind, I was behind as long as I got through as many words as I could.
The second weeks of words were actually done over the rest of the month.
“One-quarter potion” growled the “CROOKED” Unkar Plutt.
The “SCREECH” from the beloved Hedwig.
Hagrid merrily dancing with the “GIGANTIC” Madame Maxine.
“RUN” Gendry, run.
Lord Commander Snow “SHATTERED” one of the ice kings.
Smaug’s lair is “TEEMING” with gold.
Princess Leia, “FIERCE” — enough said!
I must confess, that I do like a good challenge but I have to make sure that I have the time to complete the challenge. I was only able to finish 10 words within the month of October but I started words 11 and 12 and plan to continue to draw out the rest of the words until Fan-Art February starts. I may just continue from the themes that I am using now and you can follow my progress on Instagram at @banasiakart. 😛
Next up cougar portrait in pastel: A how-to explanation of how I created a cougar portrait in pastel. Stay tuned.
After the Field Museum Women in Science and Art blog post, many of you wanted to find out more about what is new about my job at the museum. As most of you have read in one of my past posts (Yes, I do have a job to pay the bills…) a couple years ago, I talked about what my job at the museum entails as a Research Assistant and the opportunities I get offered to do what I love, illustrating. Now, as the Mammals Collections Assistant and Preparator, I am doing much more than what I use to do within the Mammals Collection.
Bobcat skull that has been prepped and ready for cataloging (or sketching, hmm?).
How much “art” is in my daily routine? I do not get to create illustrations or photograph specimens as much as in the past but I take what I do at work daily and incorporate what I learn on the job into my artwork. I take advantage of the many specimens at my finger tips to study and learn how their forms and textures can influence and INSPIRE how an art piece will turn out. This makes it easier to visualize what I will see on paper when illustrating the mounts in the exhibit halls. It’s the LOVE and ENJOYMENT of what I do and where I work that INSPIRES and fulfills “MY CREATIVE PASSION” in the studio. Even if that means sacrificing my time before work, at lunch or on a weekend to come into the my office or lab to illustrate a specimen or a mount in the exhibit halls.
I’ve been in the new position for more than two years now. I moved from doing primarily research based tasks for the Collections Manager to doing more collections prep and maintenance of the mammals collection. That entails skinning, stuffing, cleaning the bones, cataloguing, numbering and installing specimens within the collection. There is still some time to take photos of specimens and illustrate for my colleagues but now I am training my volunteers to help me with many of the regular tasks that I use to do as well as train them to use the camera systems and finally, illustrate specimens (YEAH!)
The lab, where all the magic, I mean science happens. This is where the mammal specimens are processed before being installed into the main collection.
What is the difference in what I am doing now verses two years ago? Well, for one, any mammal specimen that needs to be cleaned has to go through my lab first. I also take care of the mammals beetle colony (Mary Hennen takes care of the Birds beetle colonies). I inherited thousand of little babies who depend on me (but mostly Mary) for food… and a home. Check out the beetles Facebook page, Bird’s Bug Room here. Most people think this is a disgusting part of the job but my time in the beetle room is nice, peaceful, and most importantly, quiet.
Cleaning the torso and femurs of a rodent. This rodent was born with a femur deformity. You can see that the left femur is slightly shorter and extremely wider then the right femur.
My volunteer staff has grown from five to ten volunteers/interns. I guess mammals has become a popular place over the past two years. I depend on them everyday to help with cleaning bones after the beetles have finished, skinning specimens and stuffing the viable skins for research, as well as, helping with database entry, scanning, numbering bones and photography work from researchers.
After all this you would think I would need lots of sleep but no, I still give myself time during the week to work on my artwork and sketching. I am non-stop, the energizer bunny, the flash, a sugared up toddler. I have so much energy I need to release it so I work in the studio (as well as working out a lot). I consider myself one of the lucky ones in the scientific/natural illustration world to be employed as the collections assistant and preparator. I still get to use my artistic talent in some form everyday, in either skinning, numbering, Photoshop work, or photographing or illustrating specimens. Thanks for visiting. 😋
The numbering and boxing area in the lab.
Crocidura monax specimen under a camera lucida microscope with the illustration on the right.
Rhinolophus sp. illustration on a light table. Stippling on vellum from a graphite drawing.
Next INKtober….enough said: The attempt to do a sketch a day for INKtober and my “failings” at it, LOL!. Stay tuned.
Women in Science and Art: Rebecca Banasiak, Mammals Collections Assistant and Preparator
In March, many of my colleagues and I, were asked to answer some questions about what it is like to be either a women in science or a women in art. I am lucky enough to be one of the few who was highlighted as both a women in science and art. I highlighted some of my answers below and you can read the full blog post here on the Field Museum’s website.
How did you get to where you are? I received a BA in chemistry and fine art … from Lewis University in Romeoville, IL, in 1997. ….It wasn’t until I went back to the School of the Art Institute of Chicago …. that I was introduced to the vast collection of material and specimens here. While at SAIC, I started at the Museum as an intern with Bill Stanley, … then in 2005, I became a full-time research assistant. In 2015, the collections assistant, mammals preparator position opened up … and that is how I got to where I am now.
What does your job entail? What’s the day-to-day like?
Part of my day-to-day includes working with the dermestid beetle colony that cleans specimens … I also supervise volunteers and interns. I train them on different tasks like skinning, stuffing skins, and cleaning and numbering bones … how to use the camera equipment and the camera lucida for illustration, and help them get involved with different research projects. One of the projects we’re working on now is photographing the skulls of Grammomys (a group of rodents found in Africa). … Other tasks for similar projects have been to photograph or illustrate a specimen or create maps and graphs that my colleagues or Field Museum researchers may need for publications. … Other projects might include processing specimens that a researcher brings back from an expedition. …..
What has been your favorite part of the job, or a memorable moment?
One of my proudest moments was the day that Bill Stanley came down to my office and was holding the new Fieldiana (a scientific journal published by The Field Museum) that had various articles about the small mammals in the East and West Usambara Mountains in Tanzania. ….
The other moment was when one of my colleagues and a researcher at the Smithsonian, Mike Carleton, asked if I wanted to be an author on a paper about a new species of rodent in the Hylomyscus genus. …..
What advice do you have for future women scientists?
I’m not a proponent of STEM, I’m a proponent of STEAM (Science, Technology, Engineering, Art, and Math). … Like the sciences, the arts also do not have enough representation by women. … Art does help with science; they work together. … Science and art work together.
If I had to go back to myself at the age of nine or 10, I would say, “Stick with science, and stick with art, and don’t worry about anyone making fun of you.” When you look at our Museum, we have a lot of female presence. But we need more female leaders in science as a whole. As we educate a new generation, we want to give them confidence. My message to future female scientists and artists is to have faith in yourself; this is really what it is. If you think you can do it, you can do it. If you do something incorrectly, you’re only human, so get back up and do it again. Learn from your mistakes. All it takes is a little education and practice, and you can do it. Take the criticism, learn from it, and keep improving. You will see that it all pays off in the end.
This is my fourth year participating in the Brooklyn Art Library’s Sketchbook Project. Opportunities in art don’t come very often, but something like this is an opportunity that all artists should take advantage of.
I came across this project by chance while checking out one of the other artist sites I follow on Facebook. It started out with my first sketchbook titled “A simple place called…” I wasn’t to sure of what I wanted to sketch so I started sketching what I encounter on a daily basis at work (the museum).
The idea for my second book came from my many adventures to the Atlantic coast. See, I’m a beach comber. I like to collect shells so “Wandering shell” was developed from my shell hoarding habit, lol. I decided to take one shell and have it travel, wander around, throughout the entire sketchbook.
Cover of “Familiar friends” for the Sketchbook Project 2016.
This past year in 2016, was different. I wanted to create my sketchbook around my knowledge of mammals, particularly carnivores. If you have ever been to the Field Museum, you would have ventured to the back area behind the bird hall and wandered into what is called Carnivore Corner. This is when “Familiar Friends in our ‘backyard'” was started.
There are so many mounts in the carnivore room, I had to figure out what would be the best representation for the theme I picked. That is when the idea of sketching just North American species came to be. All I needed to do was see how many NA carnivore mounts we had on display and then choose which ones to focus on.
After figuring out what species I was going to sketch, the illustrating began. First, dogs and their relatives…..canids, procynids, ursids, mustelids…then cats and their relatives….felids. The wolf and grey fox were no brainers. I added the kit fox to thee list as it shows diversity throughout North America. Then a raccoon and coati for the procynids. Black and grizzley bears were representing the ursids.
There are many more species but as I only had so many pages to fill for the project I had to narrow my choices to the best representation of carnivores that roam our North American “backyard”.
My 2017 sketchbook is purchased and I have looked at this years themes. Some time in the future I will post and tell you what 2017’s book is all about.
As I get ready for major events at work and in my life, I have realized that the last four months have been hectic and very busy for me. Not only have I been preparing for this years member’s night at the museum, I’ve also been doing a lot of cleaning at my home and studio in preparation for something big in my life. But enough of that. There have been plenty of good things happening since January 1st.
First, I was part of Lewis University’s President’s Show. Then, the Artist at the field had a mini-show at the Field Museum’s Harris Education Center. Now, I have three pieces in this year’s third show at Ryerson Woods. I have never showed there before so this is a first for me. The World of Birds is the title of the show which is artwork of the Great Lakes Chapter of the Guild of Natural Science Illustrators.
As I drove up north, way up north, I realized it was in a setting like Mayskake. This one building set in the center of a county forest reserve surrounded by nature and beauty. The drive was long but well worth having my artwork in one more show for the year.
Most of the work is by local Illinois artists. “Birds” is the theme so every painting and illustration shows the gracefulness of sea birds, migratory species, and birds of prey, as well as, the stunning beauty of native Illinois species.
The show will be up until June 6th and is located at Brushwood Center at Ryerson Woods, 21850 N. Riverwoods, Riverwoods, IL 60015.
Hours of center: Monday-Thursday, 9am-3pm; Sunday, 1-3pm.
This is the first year I have been in three shows (and counting). Hopefully, 2017 will be just as good to me.
Snowy owl, 2014, Dewent colored drawing pencils on Mi-tients paper, 19×25. Copyright Rebe Banasiak, The Brush Hilt and Banasiak Art Gallery.
The first two months have been crazy for me. I’ve been doing a lot of cleaning, both at my regular job at the museum and also in my studio. But there have been some good things happening as well.
First, I was part of Lewis University’s President’s Show. Also had three pieces picked for a show in April (I’ll blog about that one later on). But this month is different. The artist group I’m in, Artist at the field, has been having a mini-showcase at………..
(wait for it)……..
The Field Museum!
It is just in an exhibit case outside their Harris Education Center’s location on the ground floor but it is still something special for me. As an artist in the group, I usually have to deal with crowds while working in the exhibit halls but that is trumped by the people I end up talking to who ask questions because they were unaware that the Field is an artist friendly location. Even better is when they are very complimenting to whatever I am working on and want to know more about working at the museum.
This brings me back to the mini-show.
Peggy Macnamara was talking with the HEC manager, Wendy, and she liked the idea of us hanging our work up to show what we do on the Saturdays we are all in. This mini- show has most of the original (core) members included but I am hoping that when I am done completing the AAF website, we can garner some interest in getting more opportunities for the group as a whole to show all of the memeber’s work.
I think the case looks great and with the advertisement of the Artist at the field website, the Facebook page and Leonard’s email, hopefully our little group can be noticed and grow to be a recognized group throughout Chicago. I want to thank my friend Ella for helping Peggy and I hang the show and take photos.
I can now say that I have had my artwork hanging in the Field Museum. How many artist’s can say that!
You can see the mini-show located outside the Harris Education Center in the west hall of the ground floor of the museum. Artwork will be on display until the end of the month, March 31st, 2016.
AAF member artwork in display case outside the Field Museum’s Harris Education Center.
This year’s first show was yet again one of my favorite places to visit, the Lewis University’s 8th Annual President’s Show. I have also taken part in the past three years and have loved every second I step back onto campus. I love going back there when ever I can. It feels like I am going back to one of my “homes” from my past.
Brown pelican, 18×24, colored pencil on matte board
The five years I spent at Lewis were some of the best I will remember. Most of the art department has changed physically but the small family bonding experience is still there.
Drawing and illustration classroom. The place where I spent half of my time while at Lewis.
Printmaking was another favorite media I grew to love.
Thanks in part to my old classmate and friend Mark Swain, professor and head of the art department, and his wife Natalie, the gallery manager (who once again put up an awesome display of artwork), the place still has that family friendly feel to it. Our old mentor and teacher, Paul Mitchell, was one of the best professors that guided me to create what I do today.
I went to the opening of the Presedent’s show this past February. I spent some time talking to some of the students and was happy that they are getting the same wonderful education I did back almost 20 years ago. It makes me proud to say I am an alumni from Lewis U. What was also nice was the fact that we got to celebrate Brother James’ last year as president of the university and his last time hosting the annual show. He hasn’t changed all these years.
Me with fellow alumni and Brother James.
I cannot wait until next year and what will be brought to the show from all the alumni and students. If you want to check out more photos from the show, you can visit the gallery’s Facebook page here, www.facebook.com/LewisuArt.